Each is a far cry from the healthy, nurturing environment children need.
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It would juxtapose nicely as Dewey encourages the students to break free and let their inner musical geniuses burst forth! Home from School/Battle of the Band AuditionsĪ montage sequence follows, in which we see several of the students’ home lives. Its high-ceilinged detail, looming portraits of former professors, and hard lines show the rigid and oppressive nature of the school, where these bright students struggle under heavy expectations. (“You’re in the Band”) Since much of the musical takes place at Horace Green, try opting for this Harvard Classroom backdrop. He quickly recruits them into his new band with the goal of competing in Battle of the Bands. This Music Alley backdrop would be a great option for this scene, as it pays homage to a variety of musical genres.īack at Horace Green, Dewey discovers Rosalie teaching several of his students in a music class (“Queen of the Night”) and realizes that several of the youngsters are musically gifted. (“Children of Rock”) Patty, Ned’s domineering girlfriend, returns home and mocks their juvenile dreams. Back home, Ned and Dewey reminisce about their old rock band days. (“Here at Horace Green”) Choose this School Exterior backdrop to make sure the audience’s first impression of the school is an intimidating one!ĭewey survives the first day of his pilfered job by doing as little of possible, while his students run amok. (“Horace Green Alma Mater”) She lays out the school’s exacting standards for Dewey/Ned, who makes a poor first impression by showing up late and hungover. At the Horace Green School, Rosalie Mullins, the lovely, yet uptight school principal, greets students and their parents. The window details enhance the city setting, while the distressed details on the wall indicate Dewey’s dubious place on the socioeconomic strata. (“When I Climb to the Top of Mount Rock”) Try using this Brooklyn Loft backdrop to represent Dewey’s apartment. Still, this is just a temporary fix for his immediate problems, as he still has big plans to conquer the rock world. Desperate to come up with his rent money, he pretends to be Ned and accepts a substitute teacher job from a prestigious prep school in order to pay rent. Then, Dewey accidentally intercepts a phone call intended for Ned. He owes Ned, his friend/former bandmate/landlord, for his portion of the rent and has 30 days to pay. The bright bursting details would compliment the incendiary member interactions nicely.ĭewey’s run of bad luck continues back at home. You’ll set the tone for this colorful band of misfits shooting for the stars. Try this Fireworks backdrop, featuring bright bursts of color against a night sky. His band turns on him, despite Dewey’s insistence that the band would be nothing without him. (“I’m Too Hot for You”) Convinced he’s the greatest talent in the band, Dewey tries to upstage the lead singer. The story begins at a rehearsal for up-and-coming rock band No Vacancy, of which Dewey Finn is a member and founder. Let’s take a look at some of the backdrops TheatreWorld offers for this “kick ass” show! Act One Since the plot focuses mainly on character development, this is a great opportunity to keep the set pieces minimal and let the backdrops and the actors tell the story.
Additionally, the material and music appeals to non-traditional Broadway audiences, so it’s the perfect show to put on in areas unaccustomed to musical fare. It cleverly features the musical and singing talent of young actors typically between the ages of 9 and 15. The stage version of Dewey’s tale – where he masquerades as a sub in a prestigious private school and draws the musical talent out of his young pupils in order to win the Battle of the Bands – focuses more on the children and their stories than Dewey and his struggling rock career.
This is a fantastic show to put on if your talent pool trends young. School of Rock was nominated for a host of Tony Awards and Drama Desk awards, including Best Musical.
The show premiered on the Winter Garden Theatre stage in 2015. The story of down-on-his-luck would-be rocker Dewey Finn has transcended Jack Black’s engaging film performance and has made its home on Broadway.
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Based on 2003’s offbeat hit movie of the same name, School of Rock boasts the talents of legendary composer Andrew Lloyd Webber and lyrics by Glenn Slater, with book by Julian Fellowes. However, no show rocks audiences quite like School of Rock. With the success of shows like Jesus Christ Superstar and Rent, it’s fair to say the genre is a modern phenomenon. Rock musicals are nothing new to the Broadway scene. Going Beyond the Script School of Rock Backdrops and Scenery Perspectives
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